Sans Other Obhe 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fat Albert BT' by Bitstream, 'Amboy' by Parkinson, 'Exabyte' by Pepper Type, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, branding, game ui, packaging, industrial, arcade, techno, brutalist, utility, impact, tech feel, retro display, industrial label, ui styling, blocky, angular, squared, stenciled, notched.
A compact, block-built sans with squared silhouettes, hard corners, and occasional diagonal chamfers that create a cut-metal feel. Strokes are consistently heavy with minimal modulation, and counters are small and often rectangular, producing strong, high-density letterforms. Many glyphs incorporate distinctive notches and inset cuts (notably in diagonals and joins), giving the design a constructed, modular rhythm rather than a geometric purity. Spacing reads steady in text, while the overall texture is dark and assertive due to the tight apertures and bold massing.
Best suited for short, high-impact settings such as headlines, posters, logos, and packaging where a strong, industrial voice is desired. It can also work well for game interfaces, titles, and tech-themed graphics, especially when paired with simpler supporting text. For long passages at small sizes, the dense counters and heavy texture may reduce readability compared to more open sans designs.
The font conveys a rugged, machine-made tone with clear associations to arcade UI, industrial labeling, and retro-tech display aesthetics. Its angular cuts and notched joins add an engineered, tactical character that feels energetic and slightly aggressive. Overall, it reads as bold and functional, prioritizing impact over softness or refinement.
The design appears intended as a bold, modular display face that communicates strength and a fabricated, technical aesthetic. Its squared geometry and characteristic notches suggest an aim toward high visual punch and a distinctive retro-industrial personality in branding and titling contexts.
Round forms (like O and 0) are rendered as squared, boxy shapes, and several letters use simplified, schematic construction that emphasizes recognizability at a distance. The numerals match the same block logic and sharp terminals, keeping the set visually cohesive in mixed alphanumeric settings.