Sans Other Nyhy 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott and 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: game ui, posters, headlines, logos, packaging, arcade, techno, industrial, sci-fi, aggressive, impact, futurism, retro gaming, mechanical feel, display clarity, blocky, angular, squared, stencil-like, notched.
A heavy, geometric sans built from squared modules and straight strokes, with frequent 45° corner cuts and notched joins that give many glyphs a chiseled silhouette. Counters are small and mostly rectangular, producing a compact interior rhythm and strong black presence. The lowercase largely follows the same rigid construction as the uppercase, with single-storey forms and minimal curvature; terminals are blunt and consistently flat. Overall spacing and widths vary by letter, creating a punchy, irregular rhythm that stays visually coherent through repeated angles, steps, and cut-ins.
Best suited for display typography where impact and a techno-industrial tone are desired: game titles and UI elements, posters, event graphics, esports or hardware branding, packaging callouts, and bold section headers. It can also work for short labels and navigation in interface mockups when large enough to preserve the small counters.
The letterforms feel digital and game-like, evoking arcade UI, industrial labeling, and sci‑fi interfaces. Sharp edges and tight counters add tension and intensity, reading bold and assertive rather than friendly or editorial. The notched, engineered shapes suggest machinery, robotics, or retro-futurist aesthetics.
The design appears intended to deliver a strong, retro-digital voice using modular, squared construction and repeated chamfers to create character and motion. By keeping strokes uniform while carving notches and angled cuts into forms, it aims for an engineered look that remains consistent across uppercase, lowercase, and numerals.
Distinctive stepped details—especially in diagonals and interior cutouts—create a quasi-stencil effect without fully breaking strokes. Numerals and capitals are particularly strong at display sizes, where the angular cuts and rectangular counters remain crisp and legible. In longer text, the dense color and tight internal spaces give a compact, high-impact texture.