Sans Superellipse Esgoy 9 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Innova' by Durotype, 'FF Infra' by FontFont, 'Azbuka' by Monotype, 'Katerina' by NicolassFonts, 'Objet' by Pascal Tarris, and 'Bitner' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, sporty, techy, confident, dynamic, modern, speed, clarity, impact, modern branding, approachability, slanted, rounded, compact, sturdy, geometric.
This typeface is a slanted sans with sturdy, monoline strokes and rounded, superelliptical curves that keep counters open and shapes clean. The letters show a forward-leaning rhythm, with gently softened corners and flattened rounds that read as controlled rather than fully circular. Proportions feel compact and efficient, with relatively large interior space in forms like O, e, and a, and straightforward terminals that avoid decorative endings. Numerals match the letterforms with similarly rounded geometry and consistent stroke weight, producing an even, dense texture in text.
It performs best in display and short-to-medium text settings where the slant and strong presence can carry a message—such as headlines, brand marks, packaging, posters, and wayfinding. The open counters and steady stroke make it usable in larger blocks, but it will be most distinctive when given room at larger sizes.
The overall tone is energetic and purposeful, with a forward motion that suggests speed and modernity. Its rounded geometry keeps the voice approachable, while the firm stroke weight and tight, athletic stance project confidence. The result feels well-suited to contemporary, performance-oriented branding without becoming aggressive.
The design appears intended to deliver a modern, fast-paced sans voice built on rounded-rectangular geometry, balancing friendliness with a strong, contemporary stance. Its consistent stroke and controlled rounding suggest a focus on clarity and impact in branding and display contexts.
The italic construction appears integrated rather than simply obliqued, maintaining consistent curve logic across bowls and joins. Diagonals and angled joins in letters like K, M, N, V, and W reinforce a crisp, engineered feel, while round characters stay slightly squared-off for a cohesive geometric signature.