Sans Normal Abbup 1 is a regular weight, wide, low contrast, italic, tall x-height font visually similar to 'Croih' by 38-lineart (names referenced only for comparison).
Keywords: branding, ui text, editorial, signage, presentations, modern, clean, neutral, technical, approachable, clarity, versatility, contemporary tone, efficient reading, systematic design, monoline, oblique, open apertures, rounded terminals, generous spacing.
This sans shows a consistent, monoline construction with smooth, rounded curves and crisp, straight joins. The oblique slant is steady across capitals, lowercase, and figures, giving the forms a forward motion without distorting their geometry. Counters are open and largely circular/elliptical (notably in O, C, e, and 8), while strokes end in clean, gently rounded terminals. Proportions feel expansive with broad letterforms and ample sidebearing, and the lowercase maintains a prominent x-height relative to the ascenders and descenders. The numerals are clear and simple, with a smooth, modern “2” and open, balanced “8” and “9.”
It suits modern branding systems that need a clean, unobtrusive voice, and works well for UI labels, dashboards, and product interfaces where quick scanning matters. The open counters and even rhythm also make it a solid choice for editorial subheads, captions, and wayfinding or informational signage, especially when a contemporary italic sans is desired.
The overall tone is contemporary and straightforward: calm, efficient, and readable with a subtle sense of motion from the slant. Its rounded geometry keeps it friendly rather than severe, while the clean construction still reads as practical and design-forward.
The design appears intended as a versatile, modern oblique sans with a rounded, geometric underpinning and a focus on clarity. Its consistent stroke behavior and open forms suggest an aim for reliable readability while maintaining a sleek, contemporary texture.
The spacing and rhythm appear even in running text, with smooth word shapes and minimal visual noise. Circular forms dominate, and diagonals (V, W, X, y) feel sturdy and stable, supporting use at both display and text sizes.