Sans Superellipse Olkel 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Black River' by Larin Type Co (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, technical, retro, utilitarian, friendly, impact, clarity, compactness, modernity, rounded, squared, condensed, blocky, soft corners.
A compact, heavy sans with a rounded-rectangle skeleton and consistently softened corners. Strokes are largely even in thickness, producing sturdy verticals and simplified, geometric curves in bowls and counters. The proportions are condensed with tight internal spaces, while terminals are blunt and neatly rounded, keeping the overall texture smooth and uniform across caps, lowercase, and figures. Shapes favor squarish curves over true circles, giving letters a stable, engineered feel and a clear, grid-like rhythm.
Well-suited to headlines, posters, and brand marks that need a compact, high-impact presence. Its sturdy forms and rounded corners make it effective for signage, packaging, labels, and UI headers where a technical tone is desired without feeling sharp or aggressive. It works particularly well in short phrases and large sizes where the geometric rhythm can read cleanly.
The design reads as utilitarian and technical, with a subtle retro-industrial tone reminiscent of signage and device labeling. Rounded corners temper the heft, adding approachability and reducing harshness, so it feels both functional and friendly. Overall it conveys dependability, clarity, and a slightly futuristic, manufactured character.
The font appears designed to deliver a condensed, high-contrast-in-presence (through weight rather than stroke modulation) sans that stays visually consistent across a full basic set of letters and numerals. The rounded-rectangle construction suggests an intention toward industrial clarity and reproducible forms, balancing strict geometry with softened edges for broader appeal.
Distinctive superelliptical curves show up in letters like C, G, O, and e, where rounding is controlled and corners stay firm rather than fully circular. The overall spacing and compact widths create strong word shapes at display sizes, while the dense counters suggest it will look best with adequate size or generous tracking in longer lines.