Sans Superellipse Olrig 7 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Olpal' by Bunny Dojo, 'Aspira' by Durotype, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'Muller Next' by Fontfabric, 'Belle Sans' by Park Street Studio, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'MaryTodd' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, friendly, playful, retro, casual, approachable, compact impact, friendly display, retro signage, solid legibility, rounded, condensed, soft corners, blunt terminals, compact.
A compact, condensed sans with rounded-rectangle construction and soft corners throughout. Strokes keep a steady, even presence, with blunt terminals and gently curved joins that create a smooth, slightly bouncy rhythm. Counters are relatively tight and openings are modest, emphasizing a solid, compact texture in text. Uppercase forms feel tall and straightforward, while lowercase keeps simple, single-storey shapes (notably a and g) and a clear, utilitarian structure.
Best suited to headlines and short-to-medium display text where its compact width and rounded solidity can carry personality. It works well for posters, packaging, branding, and signage that need an approachable, slightly vintage feel. For longer reading, it will be most comfortable at larger sizes where tight counters and compact spacing remain clear.
The overall tone is friendly and informal, with a lightly retro, sign-painter simplicity. Rounded geometry and compact spacing give it an approachable, upbeat voice that feels more personable than technical. It reads as confident and sturdy without becoming severe.
The font appears designed to deliver a compact display voice with rounded, superelliptical forms—balancing sturdiness with friendliness. Its simplified, consistent construction suggests an intention to stay legible at a distance while retaining a casual, characterful texture in words and numbers.
The design’s rounded-rectilinear logic is especially visible in C, O, and U shapes, which lean toward superelliptical bowls rather than perfect circles. Numerals are similarly compact and sturdy, suited to attention-grabbing settings where a consistent, blocky silhouette matters.