Print Ommin 2 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: headlines, packaging, posters, branding, social graphics, casual, friendly, hand-drawn, retro, lively, handwritten warmth, informal emphasis, display personality, retro flavor, brushy, slanted, rounded, soft terminals, bouncy baseline.
This typeface has a brisk rightward slant and a brush-pen feel, with strokes that swell and taper subtly and end in softened, slightly hooked terminals. Letterforms are compact and somewhat condensed, with lively irregularities in width and curve that keep the rhythm informal while remaining consistent from glyph to glyph. Curves are rounded and open (notably in C, G, O, and lowercases), and several letters show gentle entry/exit flicks that mimic quick handwriting. Numerals follow the same calligraphic logic, with rounded bowls and angled stress that blend well with text settings.
It works best for short to medium-length settings where a casual, handcrafted voice is desired—such as headlines, packaging callouts, posters, branding accents, and social media graphics. It can also serve for brief editorial pull quotes or captions when you want a more personal tone than a standard italic.
Overall, it reads as personable and energetic—like quick, confident marker or brush lettering. The slant and soft terminals give it a warm, approachable tone with a subtle vintage or mid-century sign-painting vibe, without feeling overly formal.
The design appears aimed at delivering an easygoing handwritten print look that stays legible while adding motion and personality. Its controlled brush-like modulation and consistent slant suggest it’s built for expressive display typography that can still handle readable phrases and taglines.
Uppercase shapes are simplified and slightly playful, while the lowercase maintains a readable, text-like cadence rather than a connected script. The punctuation and spacing in the sample suggest it’s intended to hold together in short passages, with character shapes doing most of the expressiveness rather than extreme stroke contrast or ornament.