Sans Other Giti 1 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, signage, industrial, retro, stencil-like, playful, assertive, impact, branding, retro display, constructed forms, blocky, chunky, angular, squared, notched.
This typeface is built from chunky, block-like forms with squared counters and frequent notches and cut-ins that create a quasi-stencil impression. Curves are simplified into broad, flattened arcs (notably in rounded letters and numerals), while terminals tend to end in hard, geometric edges. The spacing and letter shapes feel intentionally irregular in places, with distinctive internal cutouts and abrupt transitions that emphasize mass and silhouette over smooth continuity. Overall it reads as a heavy display sans with a constructed, carved-out geometry and strong, poster-forward presence.
Best suited for display settings such as posters, headlines, event graphics, product packaging, and bold branding marks where a strong silhouette is an asset. It can also work for signage or labels that benefit from an industrial, cutout look. Use with generous tracking and ample line spacing when setting multiple lines to keep the dense texture from feeling cramped.
The tone is bold and mechanical, evoking industrial signage and retro display lettering with a slightly mischievous, arcade-like energy. The notches and chamfered impressions add a “cut from a block” character that feels tough, utilitarian, and attention-seeking. It projects impact and attitude more than refinement, giving headlines a distinctive, graphic punch.
The design appears intended as a high-impact display sans that borrows from stencil and cut-letter aesthetics, using notches and squared counters to build a recognizable, rugged voice. Its constructed geometry suggests a goal of creating instant visual identity and bold rhythm in short, prominent text rather than neutral, continuous reading.
In the sample text, the dark color and dense shapes create strong texture, while the internal cut-ins help prevent large letters from becoming monolithic. The design’s quirks are most noticeable at larger sizes, where the notches and squared apertures become a defining motif; in longer passages it will appear heavy and compact, prioritizing visual identity over effortless readability.