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Calligraphic Ablih 1 is a light, narrow, medium contrast, upright, normal x-height font.

Keywords: book titles, posters, invitations, packaging, branding, storybook, old-world, artful, literary, whimsical, hand-lettered feel, classic tone, expressive display, readable texture, flared, tapered, brushlike, organic, humanist.


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A calligraphic, hand-drawn serif with tapered strokes, flared terminals, and a subtly irregular rhythm that keeps the texture lively without feeling rough. Forms lean on crisp, wedge-like entry/exit strokes and occasional hooked or curling terminals, with moderate stroke modulation and open counters that help letters stay readable. Capitals are expressive and slightly varied in width, while the lowercase maintains a consistent x-height with distinctive, drawn-by-hand details (notably in letters like g, y, and j). Numerals follow the same brush-cut logic, mixing smooth curves with pointed joins and a gently varied set width.

Well-suited to book covers, chapter headers, pull quotes, and display typography where a handcrafted, classic voice is desired. It can also work for invitations, boutique packaging, and identity systems that want a refined calligraphic feel without connecting scripts. For longer text, it will perform best at moderate sizes with slightly increased leading to let the lively shapes breathe.

The overall tone feels literary and storybook—formal enough for classic or historical atmospheres, but with a playful, human presence. Its calligraphic gestures suggest hand lettering for tales, fantasy, and craft-forward design rather than strict editorial neutrality.

The design appears intended to capture the look of formal hand lettering—balancing readable letterforms with expressive stroke endings and subtle variation. It prioritizes personality and narrative warmth, delivering a traditional, crafted impression appropriate for decorative and literary applications.

Spacing appears intentionally uneven in a natural way, producing a textured line that benefits from comfortable tracking and generous line spacing in longer passages. The design’s sharp, tapered terminals and occasional asymmetries give it character at display sizes while still supporting short text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸