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Sans Normal Olkom 26 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Menca' by Kvant, 'Almarose' by S&C Type, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, confident, clean, approachable, clarity, impact, modernity, approachability, versatility, geometric, rounded, high-contrast counters, large apertures, sturdy.


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A heavy, geometric sans with smooth curves and largely uniform stroke thickness. Round letters are built from near-circular bowls with generous counters, while straight-sided forms (E, F, H, N) keep crisp, squared terminals. The lowercase shows single-storey forms for a and g, a compact ear on g, and a simple, open e with a strong horizontal bar; joins and shoulders are clean and robust. Numerals are similarly bold and rounded, with a clear, open 4 and a smoothly looped 8, giving the set a consistent, punchy rhythm.

Best suited to headlines, branding, posters, and short blocks of text where a bold, clean voice is needed. It can also work well for UI labels and signage thanks to its open counters and straightforward letterforms, especially when set with comfortable spacing.

The overall tone is modern and upbeat, with a friendly, approachable feel driven by rounded geometry and open interior space. Its weight and compact shapes communicate confidence and clarity, making it feel contemporary and utilitarian rather than delicate or formal.

The design appears intended to deliver a contemporary geometric sans that stays legible and even at heavier weights, emphasizing clear silhouettes, open counters, and a consistent, no-nonsense structure. It aims for a versatile, friendly presence that reads strongly in modern graphic and interface contexts.

Apertures in letters like C, S, and e remain relatively open for the weight, helping preserve legibility at display sizes. The design balances circular bowls with straight cuts and flat terminals, creating a controlled, workmanlike texture in paragraphs while still reading as distinctly geometric.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸