Sans Normal Veban 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Acherus Feral' and 'Acherus Grotesque' by Horizon Type and 'Krong' by Joelmaker (names referenced only for comparison).
Keywords: ui labels, branding, headlines, posters, presentations, modern, clean, dynamic, neutral, techy, modernization, clarity, readability, emphasis, versatility, oblique, geometric, rounded, open apertures, single-storey a.
A slanted sans with a geometric backbone and smooth, rounded bowls. Strokes stay even and calm, with gently tapered joins and softened terminals that keep forms from feeling harsh. Counters are open and fairly generous, and the lowercase uses a single-storey “a” alongside simple, modern constructions elsewhere. Capitals are straightforward and upright in structure but consistently obliqued, with round letters (C, O, Q) reading as clean ellipses and diagonals (V, W, X, Y) cut crisply. Numerals are similarly streamlined, with rounded figures (0, 8, 9) and a plain, readable “1” and “7,” producing a coherent text-and-display rhythm.
This font suits modern interface labels and product typography where a clean oblique voice adds emphasis without looking ornamental. It also works well for headlines, signage, and brand systems that want a contemporary, slightly energetic sans for short to medium text.
The overall tone is contemporary and pragmatic, with an energetic forward lean that suggests motion and progress. Its restrained geometry and smooth curves convey a tidy, professional voice rather than a decorative or expressive one.
The design appears intended as a versatile, modern oblique sans that balances geometric clarity with softened curves for friendly readability. Its consistent slant and simplified letterforms suggest a goal of providing emphasis and motion while remaining suitable for general-purpose use.
Spacing appears even and controlled, supporting continuous reading in the sample paragraph. The oblique angle is consistent across uppercase, lowercase, and numerals, giving the design a unified, intentional cadence.