Sans Superellipse Fynek 10 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Gomme Sans' by Dharma Type, 'FF Clan' by FontFont, 'Radiate Sans' by Studio Sun, 'Nordt' by Typesketchbook, and 'Helios Antique' and 'Without Sans' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, dynamic, confident, friendly, retro, impact, speed, brand display, headline emphasis, approachability, slanted, rounded, blocky, compact, soft corners.
A heavy, slanted sans with broad proportions and a compact, high-coverage silhouette. Strokes are consistently thick with minimal modulation, and terminals are cleanly cut with softened corners that keep counters open in letters like O, e, and a. Curves feel superelliptical—more rounded-rectangle than geometric circle—creating a sturdy, slightly compressed bowl shape and a punchy, poster-like texture. The overall rhythm is energetic, with a forward lean and tight, efficient interior spaces that read clearly at large sizes.
Best suited to headlines, posters, and bold UI moments where immediate impact matters. It works well for sports and fitness identities, energetic promotions, product packaging, and social graphics, especially when set with generous spacing and short-to-medium line lengths. For long passages, it’s more effective as a display accent than as a primary text face.
The font projects speed and assertiveness while staying approachable thanks to its rounded, cushiony forms. It evokes sporty branding and bold editorial display work, mixing a modern, utilitarian voice with a subtle retro flavor. The slant adds momentum and urgency, making text feel active and promotional.
The design appears intended to deliver maximum visual weight and momentum in a clean sans framework, combining strong, wide letterforms with softened geometry for a friendly finish. Its focus is on high-impact readability and brandable shapes that hold up in large, bold settings.
Uppercase forms are particularly blocky and headline-oriented, while lowercase retains simple, single-storey shapes that keep the tone informal and direct. Numerals are equally weighty and built for impact, matching the letterforms’ broad stance and rounded-rectangle logic.