Sans Faceted Abbok 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Bunday Clean', 'Bunday Sans', and 'Bunuelo Clean Pro' by Buntype and 'Elysio' by Type Dynamic (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, retro, assertive, mechanical, impact, machined feel, geometric identity, display clarity, branding, angular, chamfered, blocky, compact, stencil-like.
A compact, heavy sans built from straight strokes and pronounced chamfered corners in place of curves. Forms are constructed with a consistent stroke thickness and squared terminals, with frequent octagonal and notched joins that create a faceted, machined look. Counters tend to be small and geometric (notably in O/0/8), and many letters incorporate clipped diagonals that sharpen internal corners. The lowercase keeps a sturdy, simplified structure with minimal modulation, and numerals follow the same cut-corner logic for strong consistency across the set.
Best suited to display settings where its angular construction and weight can read clearly—headlines, posters, logo wordmarks, and bold brand systems. It also fits sports and industrial-themed graphics, product packaging, and signage where a tough, machined voice is desirable.
The overall tone feels industrial and utilitarian, like lettering cut from metal or applied as bold technical marking. Its sharp facets and compact silhouettes also evoke vintage athletic or arcade-era display type, projecting firmness and impact rather than softness or elegance.
Likely intended as a high-impact display face that replaces traditional curves with planar cuts to produce a distinctive, engineered silhouette. The consistent stroke weight and repeated chamfers suggest a goal of strong legibility at large sizes while emphasizing a rugged, technical personality.
The design relies on repeated diagonal cuts to create rhythm and identity, giving even common shapes (E, S, C) a distinctive engineered profile. At smaller sizes the tight counters and dense mass may darken quickly, while at larger sizes the faceting reads as a deliberate stylistic texture.