Sans Faceted Afle 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink and 'Midsole' by Grype (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, gaming ui, techno, industrial, gaming, futuristic, assertive, futurism, impact, tech aesthetic, industrial tone, display clarity, angular, faceted, chamfered, blocky, octagonal.
This typeface is built from straight strokes and clipped corners, replacing curves with crisp planar facets. Letterforms have a sturdy, geometric structure with an octagonal feel in bowls and counters (notably in O/0 and rounded lowercase), and frequent chamfers at terminals and joins. Strokes stay even throughout, producing a clean, mechanical rhythm; diagonals are strong and deliberate, and apertures tend to be compact, giving text a dense, high-impact color. The lowercase echoes the uppercase’s hard-edged construction, keeping the overall system visually consistent.
It performs best in display contexts where the faceted construction can read clearly: headlines, posters, product branding, esports or gaming UI, and bold identity marks. It’s also suited to tech-themed packaging and event graphics where a sharp, angular voice is desirable.
The overall tone is technical and forceful, with a manufactured, machine-cut character. Its sharp geometry reads as futuristic and game-adjacent, suggesting speed, precision, and a slightly militaristic/industrial edge.
The design appears intended to deliver a bold, modern sans voice while emphasizing a cut-metal, polygonal construction in place of curves. The consistent chamfering and squared counters suggest a deliberate aim for a futuristic, industrial look that remains legible and systematic across uppercase, lowercase, and numerals.
Counters are generally squared-off and tightly proportioned, which boosts presence at display sizes but can reduce openness in longer passages. Numerals match the same faceted logic; the 0 is especially octagonal, and several figures use clipped corners rather than rounding, reinforcing the engineered aesthetic.