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Sans Contrasted Jafa 12 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Mansel' by Prominent and Affluent (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, editorial, fashion, dramatic, refined, modernist, display impact, editorial voice, brand distinctiveness, sculptural contrast, stencil-like, ink-trap, chiseled, notched, sculptural.


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A sculptural, high-contrast display sans with heavy verticals and hairline joins that create a carved, stencil-like rhythm. Many joins and terminals show deliberate cut-ins and notches, producing sharp internal apertures and occasional bridge-like connections where strokes thin to near hairlines. Counters are generally compact and the overall silhouette leans geometric with broad curves (notably in O/C/G) balanced by flat, assertive horizontals. Spacing and widths feel intentionally uneven across characters, reinforcing a distinctive, poster-oriented texture rather than neutral text color.

Best suited to large-scale typography such as headlines, magazine covers, posters, and brand marks where its contrast and notched detailing can be appreciated. It can add distinctive flavor to packaging and campaign graphics, especially when paired with a quieter companion for body text.

The tone is confident and theatrical, mixing luxury-editorial polish with a slightly industrial, cut-paper edge. Its extreme contrast and crisp interruptions read as fashionable and attention-seeking, lending a sense of curated modernity and controlled drama.

The letterforms appear designed to reinterpret a clean sans structure through extreme contrast and intentional cut-ins, creating a memorable display voice with a crafted, editorial finish. The goal seems to be maximum impact and a recognizable texture in short reads rather than continuous text neutrality.

The design relies on thin connecting strokes and small negative cutouts that may visually fill in or break apart at very small sizes or on low-resolution output, while looking striking and clean at larger settings. Numerals echo the same carved logic, with strong black mass and fine internal separations.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸