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Free for Commercial Use

Print Odlop 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Franklin Gothic' by URW Type Foundry, and 'Balbek' by Valentino Vergan (names referenced only for comparison).

Keywords: posters, headlines, packaging, children’s, stickers, playful, folksy, retro, friendly, chunky, informality, approachability, handmade feel, display impact, quirky character, rounded, blobby, irregular, bouncy, hand-drawn.


Free for commercial use
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A heavy, hand-drawn print style with compact proportions and soft, swollen strokes. Letterforms show gently irregular edges and subtly uneven curves, creating a lively rhythm rather than strict geometric precision. Terminals are rounded and occasionally flared, counters are relatively small, and spacing feels slightly elastic, with some glyphs taking more room than others. The overall silhouette reads like thick marker or brush lettering refined into consistent, readable shapes.

Best suited for display settings where personality and impact matter: posters, headlines, playful branding, packaging, and short-form copy. It can also work well for children’s materials, labels, and social graphics where a friendly, hand-made texture helps the message feel approachable.

The tone is warm and approachable, with a whimsical, slightly retro sign-painting feel. Its bouncy irregularity adds personality and humor, making it feel casual and human rather than formal or corporate.

Likely designed to deliver an informal, hand-rendered look with strong visual weight and clear readability at larger sizes. The controlled irregularity and rounded construction suggest an intent to mimic bold marker/brush lettering while staying consistent enough for repeated use in branding and display typography.

Uppercase forms are compact and sturdy, while lowercase maintains clear, simple constructions (single-storey a and g) that reinforce the informal voice. Numerals are equally chunky and friendly, with soft corners and strong presence, making them suitable for attention-grabbing set pieces.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸