Print Ibdak 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Miguel De Northern' by Graphicxell, 'Framer Sans' by June 23, 'Gigenham' by Maulana Creative, 'RF Rufo' by Russian Fonts, and 'Nuber Next' by The Northern Block (names referenced only for comparison).
Keywords: posters, packaging, kids, headlines, logos, playful, friendly, casual, chunky, retro, handmade feel, approachability, display impact, cheerful tone, brand personality, rounded, soft, bouncy, hand-drawn, compact.
A compact, heavy display face with softly rounded corners and subtly uneven, hand-drawn contours. Strokes are thick and consistent, with minimal contrast and gently irregular curves that keep the texture lively without becoming messy. Counters are small-to-moderate and often rounded, and the overall proportions are condensed with slightly variable letter widths that create an informal rhythm. Terminals read blunt and cushioned, giving the characters a sturdy, stamp-like presence in both upper- and lowercase.
Best suited for short, high-impact text such as posters, product packaging, menu headings, stickers, social graphics, and logo wordmarks where a friendly, hand-made tone is desired. It also works well for youth-oriented branding and playful editorial callouts, especially when set with generous tracking and line spacing.
The tone is upbeat and approachable, with a casual, homemade energy that feels friendly rather than formal. Its chunky silhouettes and rounded edges suggest a lighthearted, slightly retro personality suited to cheerful messaging and attention-getting headlines.
The design appears intended to mimic bold, hand-printed lettering with a controlled irregularity—delivering warmth and personality while keeping letterforms straightforward and readable. Its condensed, chunky build prioritizes strong presence and a cheerful, informal voice in display settings.
The forms remain quite legible at display sizes, with clear differentiation across A–Z and numerals, though the tight internal spaces and heavy weight can cause counters to fill in at smaller sizes. The lowercase has a simple, printed feel and the numerals match the same rounded, robust construction for a consistent voice.