Sans Normal Kunaf 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Articulo' by Gilar Studio, 'Intelo' by Monotype, 'Vitala' by Parker Creative, 'SK Reykjavik' by Salih Kizilkaya, 'Lyu Lin' by Stefan Stoychev, 'Mundial Narrow' by TipoType, and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, modern, punchy, display impact, forward motion, modern branding, attention grabbing, oblique, rounded, geometric, high-impact, compact.
A heavy, oblique sans with rounded, geometric construction and smooth, low-contrast strokes. Curves are generous and uniform, with broad counters in letters like O, Q, and G, while straight-sided forms (E, F, H, N) keep a sturdy, compact footprint. Terminals are clean and largely squared-off, and the slant is consistent across capitals, lowercase, and numerals, producing a forward-leaning rhythm. The lowercase shows simple, single-storey forms (notably a and g) and short extenders relative to the overall weight, contributing to an efficient, blocky texture in text.
Best suited for headlines, posters, and brand marks where a strong, forward-leaning sans can project energy. It works well for sports and lifestyle branding, packaging callouts, and promotional graphics that benefit from high-impact letterforms and a cohesive italic rhythm.
The overall tone is energetic and assertive, with a sporty, headline-driven feel. The strong massing and steady slant suggest speed and momentum, while the rounded geometry keeps the voice approachable rather than harsh. It reads as contemporary and confident, suited to attention-grabbing messages.
The design appears intended to deliver a modern, energetic italic sans optimized for display use—combining rounded geometric shapes with a firm, compact structure to maintain clarity while maximizing impact.
In text, the weight and slant create a dense, continuous typographic color that favors short lines and larger sizes. Numerals follow the same rounded, sturdy logic, with simple silhouettes that match the letterforms’ compact proportions.