Sans Faceted Eply 5 is a very bold, very narrow, medium contrast, upright, short x-height font visually similar to 'Duotone' by Match & Kerosene, 'PTL Fabrik' by Primetype, and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, sports branding, industrial, rugged, authoritative, retro, no-nonsense, space saving, high impact, rugged branding, poster display, condensed, blocky, angular, faceted, stenciled.
A condensed, heavy sans with sharp planar facets replacing most curves, giving letters a chiseled, geometric build. Strokes are predominantly vertical with squared terminals and tight counters, creating strong black shapes and a compact rhythm. The alphabet maintains a consistent, upright skeleton while allowing width to vary by character, and small details—like clipped corners and occasional notch-like cuts—reinforce a hard-edged, engineered feel. Numerals match the same compressed, block-constructed logic for a cohesive set.
Best suited for display typography where compact width and strong presence are assets—posters, headlines, event graphics, packaging, and bold signage. It can also work for logos and sports or industrial branding that benefits from an angular, hard-wearing look, while long body text would likely feel dense due to the heavy weight and tight interiors.
The overall tone is tough and utilitarian, with a slightly worn, workmanlike energy that reads as industrial and assertive. Its angular construction and dense texture also suggest vintage poster and label aesthetics, leaning toward bold, attention-grabbing messaging rather than delicate nuance.
The design appears intended to deliver maximum impact in limited horizontal space while adding personality through faceted, cut-corner construction. It aims for a sturdy, engineered voice—readable at a glance, memorable in silhouette, and well aligned with industrial and retro display contexts.
The faceted construction produces distinctive silhouettes in round letters (C, O, Q) and adds character through small interior cut-ins that can read as lightly distressed at display sizes. Spacing appears designed to keep text compact and impactful, with forms that hold up best when given room to breathe in larger settings.