Sans Other Obba 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Jawbreak' by BoxTube Labs, 'Evanston Alehouse' by Kimmy Design, 'Midfield' by Kreuk Type Foundry, 'NT Gagarin' by Novo Typo, 'Stallman Round' by Par Défaut, 'Hemispheres' by Runsell Type, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, packaging, industrial, techno, arcade, brutalist, sporty, high impact, retro digital, modular system, display emphasis, blocky, angular, geometric, stencil-like, square counters.
A heavy, block-built sans with sharply angled terminals and predominantly rectangular geometry. Strokes maintain a consistent thickness and form compact, squared bowls and counters, giving many glyphs a cut-out, almost stencil-like interior structure. The forms favor straight verticals and horizontals with occasional diagonal joins, creating a crisp, mechanical rhythm and a dense overall texture in text. Uppercase and lowercase share a similarly rigid construction, with simplified, modular shapes and minimal curvature; numerals follow the same squared, high-impact logic.
Best suited to display work such as headlines, posters, game titles, UI badges, and bold labeling where its blocky geometry can remain clear. It can also serve for logos and packaging that want an industrial or techno flavor, especially when used with generous tracking and straightforward layouts.
The font projects a tough, utilitarian energy with strong retro-digital and arcade overtones. Its hard angles and squared apertures feel engineered and assertive, leaning toward a futuristic, game-interface mood rather than a neutral corporate tone.
The design appears intended to deliver maximum impact with a modular, geometric construction that stays consistent across letters and figures. Its clipped corners, squared counters, and compact spacing suggest a deliberate blend of industrial signage clarity and retro-digital stylization for attention-grabbing display typography.
In longer lines the tight counters and rectangular apertures create a compact, high-contrast silhouette that reads best when given ample size and spacing. The design’s distinctive notches and clipped corners add personality but can become visually busy at small sizes or in dense paragraphs.