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Sans Superellipse Sinip 1 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Heidth Variable' by Arkitype, 'Gala' by Canada Type, 'Kaneda Gothic' by Dharma Type, 'Ando' and 'Ando Round' by JCFonts, and 'Aureola' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, condensed, industrial, assertive, poster-like, modernist, space saving, high impact, systematic, legibility, compact, monolinear, rectilinear, rounded corners.


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A condensed, heavy sans with tall proportions and a compact footprint. Strokes are largely uniform with subtly rounded outer corners, giving counters and bowls a squared-off, superelliptical feel rather than perfect circles. Curves are tightly controlled and verticals dominate, producing a rigid, architectural rhythm; joins and terminals read clean and blunt, with minimal modulation and crisp interior apertures. The overall texture is dense and even, optimized for high-impact lines of text and tight spacing.

Best suited to display settings where space is limited but impact is needed: headlines, poster typography, brand wordmarks, packaging panels, and wayfinding/signage. It can also work for short subheads or labels, especially where a compact, authoritative voice is desired.

The tone is bold and no-nonsense, with a utilitarian, industrial confidence. Its narrow, towering forms evoke headline typography associated with signage, posters, and modern display systems—direct, urgent, and strongly contemporary.

The design appears intended to deliver maximum visual weight in minimal horizontal space, pairing a condensed skeleton with softened, squared curves to stay legible and distinctive at large sizes. The consistent stroke and structured geometry suggest a focus on strong typographic color and repeatable, system-friendly forms.

The shapes emphasize verticality, and the rounded-rectangle logic shows up most in letters with bowls and shoulders, creating a distinctive squared curvature. In the sample text, the face maintains a consistent dark color across long lines, with spacing that supports tight, compressed setting while preserving clear letter separation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸