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Free for Commercial Use

Sans Superellipse Pimal 10 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Swiss 911' by Bitstream, 'Hadrian LP' by LetterPerfect, 'Helvetica' by Linotype, 'Parkson' by Rook Supply, and 'Headliner TC' by Tom Chalky (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, compressed, utilitarian, authoritative, modern, space saving, impact, modernization, condensed, blocky, monolinear, rounded corners, high impact.


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A heavily condensed sans with tall proportions and a compact, vertical rhythm. Strokes are essentially monolinear and terminate in squared ends that are subtly softened at the corners, giving round forms a rounded-rectangle feel rather than true circles. Counters are tight and apertures tend toward narrow openings, while curves (C, S, 0) stay firm and controlled, producing a dense, uniform color in text. The numerals mirror the same condensed geometry with simplified, sturdy construction for consistent alignment and weight.

Best suited to display settings where space is limited but impact is needed: headlines, poster typography, bold brand wordmarks, packaging callouts, and directional or informational signage. It can work for short subheads or captions when set with added tracking, but it is most effective in large, high-contrast applications.

The overall tone is assertive and workmanlike, with a pragmatic, engineered character. Its compressed stance and dense texture read as urgent and attention-forward, evoking industrial labeling, headlines, and signage more than leisurely editorial typography.

The design appears intended to deliver maximum presence within a narrow footprint, combining robust, simplified forms with slightly softened corners for a contemporary, engineered finish. It prioritizes uniformity and punch over delicate detail, aiming for fast recognition and strong typographic hierarchy.

The font’s narrow set and restrained curvature create strong vertical emphasis and efficient horizontal economy. In longer lines the tight internal spaces can darken the texture, so generous tracking and ample line spacing help maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸