Sans Superellipse Fymes 2 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Gltp Starion' by Glowtype, 'Quitador Sans' by Linotype, 'Taz' by LucasFonts, and 'RBNo3.1' by René Bieder (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, assertive, fast, modern, impactful, speed cue, high impact, modern branding, athletic tone, display clarity, oblique, blocky, rounded, compact, energetic.
A heavy, oblique sans with broad proportions and softened, squared-off curves that read as superellipse-like rather than purely circular. Letterforms are built from chunky strokes with clean joins and minimal modulation, producing a dense, high-impact texture. Counters are relatively small and apertures tend to be tight, while terminals often appear sheared to match the slanted axis. The uppercase feels compact and engineered; the lowercase maintains a tall, prominent body with sturdy, utilitarian shapes.
Best suited for display settings where impact and motion are desirable: headlines, posters, branding marks, sports and fitness graphics, and product or packaging callouts. It can also work for short UI labels or section headers when a strong, energetic voice is needed, especially at larger sizes.
The overall tone is energetic and forceful, suggesting speed and forward motion. Its bold, slanted stance conveys confidence and urgency, with a contemporary, performance-oriented attitude that feels at home in competitive or action-driven contexts.
Likely designed to deliver a bold, speed-inflected sans that stays clean and contemporary while avoiding sharp, brittle geometry. The softened rectangular rounds and consistent shearing aim to keep the face readable under aggressive styling and to create a cohesive, high-energy rhythm across caps, lowercase, and numerals.
The numerals mirror the same oblique, blocky construction, with rounded-rectangle curvature and cut terminals that keep the rhythm consistent across letters and figures. The sample text shows strong word shape and punch at large sizes, while the dense counters and tight openings make it feel more display-leaning than text-oriented.