Sans Superellipse Pymav 4 is a regular weight, narrow, low contrast, upright, normal x-height font.
Keywords: ui labels, wayfinding, packaging, headlines, branding, modern, neutral, technical, clean, efficient, space efficiency, system clarity, geometric identity, modern utility, condensed, monoline, rounded corners, superelliptic, crisp.
A condensed, monoline sans with superelliptic construction: rounds are squarer-than-circular, with smoothly rounded corners and largely uniform stroke weight. Curves and straight segments join with controlled, slightly softened terminals, giving counters a rounded-rectangle feel (notably in C, O, and Q). The uppercase is tall and compact with clean, utilitarian proportions, while the lowercase keeps a straightforward, contemporary skeleton; bowls and shoulders stay tight, and apertures remain fairly open for the width. Numerals follow the same compact rhythm, with simple, legible forms and consistent stroke behavior across the set.
Performs well in UI/UX contexts, signage and wayfinding, and compact headline settings where space is limited but clarity is needed. The condensed proportions make it useful for branding lockups and packaging systems that require a contemporary, tightly set sans with a recognizable geometric signature.
The overall tone is modern and matter-of-fact, with a subtle technical character coming from the squared rounds and restrained detailing. It feels efficient and contemporary rather than expressive, suited to interfaces and systems-minded branding where clarity and consistency are priorities.
The design appears intended to provide a space-efficient, highly consistent sans with a distinctive superelliptic geometry—balancing crisp, engineered structure with softened corners for an approachable finish. It prioritizes clarity, uniformity, and a modern voice suitable for system-driven typography.
The typeface maintains a steady vertical rhythm with minimal modulation, and the rounded-rectangle geometry creates a distinctive “softened industrial” look. Shapes like the Q tail and the squarish curves help differentiate it from more purely geometric or neo-grotesque sans styles.