Sans Other Olru 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Racon' by Ahmet Altun, and 'Bike Tag JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, sports branding, techno, industrial, arcade, futuristic, mechanical, impact, sci-fi styling, modular construction, display emphasis, branding edge, angular, geometric, square-cut, blocky, stencil-like.
A heavy, geometric display sans built from squared forms and crisp, 90° corners, with occasional diagonal cuts that sharpen joins and terminals. Counters tend to be rectangular and compact, creating dense internal spaces and a tightly engineered silhouette. The overall rhythm is modular and pixel-adjacent, with flat horizontal/vertical strokes dominating and selective chamfers adding motion in letters like K, N, S, and Z. Numerals follow the same block logic, with sturdy, squared apertures and minimal curvature throughout.
Well-suited to display roles such as posters, titles, packaging callouts, and branding that benefits from a hard-edged, constructed voice. It can also work for game interfaces or tech-themed graphics where a modular, arcade-like texture supports the concept, especially when set with generous tracking and ample size.
The font projects a bold, tech-forward attitude with strong arcade and industrial overtones. Its rigid construction and cut-in details feel mechanical and tactical, reading as modern, slightly aggressive, and purpose-built rather than friendly or literary.
The design appears intended to deliver maximum impact with a distinctly constructed, squared aesthetic, using tight rectangular counters and chamfered cuts to create a futuristic, systemized look. It prioritizes graphic character and strong silhouette over text neutrality, aiming for a bold, engineered tone in short-form settings.
Legibility is strongest at headline sizes where the squared counters and tight apertures remain clear; at smaller sizes the dense interior spaces and clipped details can visually fill in. The design maintains consistent stroke strength and a coherent grid-like system across caps, lowercase, and figures, giving it a uniform, engineered presence.