Sans Normal Kiboh 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Myriad', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe; 'Agilita' by Linotype; 'Niko' by Ludwig Type; and 'Acorde' by Willerstorfer (names referenced only for comparison).
Keywords: branding, ui labels, headlines, packaging, signage, modern, dynamic, sporty, clean, friendly, emphasis, clarity, modernity, motion, versatility, oblique, humanist, open apertures, rounded terminals, high legibility.
This is an oblique sans with softly rounded stroke endings, smooth curves, and a steady, even stroke weight. Capitals are slightly condensed and upright in structure but consistently slanted, giving a forward-leaning rhythm. Lowercase forms are compact and lively with open counters and clear joins; the “a” and “g” are single-storey, reinforcing an informal, contemporary construction. Numerals are simple and readable with gentle curvature and a consistent slant, matching the alphabet’s overall flow.
It works well for branding systems that want a modern, active tone, as well as UI labels, dashboards, and product interfaces that benefit from clear, slanted emphasis. The clean forms and open counters also suit short headlines, packaging callouts, and wayfinding or signage where quick recognition matters. It’s particularly effective when used to add motion or contrast alongside an upright companion style.
The overall tone feels energetic and contemporary, with a forward motion that reads as active and purposeful rather than formal. Its rounded details keep it approachable and friendly, balancing the slant with a clean, modern neutrality. The texture on the line is smooth and even, producing a confident, uncomplicated voice.
The design appears intended as a contemporary oblique sans that delivers speed and emphasis without becoming decorative. By combining rounded, open shapes with a consistent slant and restrained detailing, it aims to remain broadly legible while projecting a modern, energetic character.
The italic angle is prominent enough to create a strong directional feel, while spacing remains orderly and consistent across the set. Curved letters show generous rounding and open apertures, which helps maintain clarity at smaller sizes. The design reads as a pragmatic, workhorse oblique rather than a calligraphic italic.