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Free for Commercial Use

Sans Superellipse Nukar 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Kensmark' by BoxTube Labs, 'Mothem' by Gerobuck, 'Midfield' by Kreuk Type Foundry, and 'PODIUM Sharp' by Machalski (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, friendly, retro, playful, impact, motion, approachability, display, branding, rounded, compact, chunky, soft corners, square-ish.


Free for commercial use
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A heavy, slanted sans with compact proportions and a superelliptical construction—round-rectangle counters, softened corners, and broad, even strokes. The shapes lean consistently to the right with minimal modulation, producing a solid, poster-like color. Many curves resolve into squared terminals and flattened bowls, and the apertures and counters stay tight but clearly cut, giving the design a sturdy, blocky rhythm. Numerals share the same rounded-rectangle logic, with simple, dense silhouettes that read best at medium to large sizes.

This font is well suited to headlines, posters, product packaging, and bold branding where a compact, high-impact voice is needed. Its dense forms and softened geometry also work well for sports-themed graphics, event promotions, and logo wordmarks, especially when set at sizes where the chunky silhouettes can fully assert themselves.

The overall tone is energetic and confident, with a friendly softness from the rounded corners and a sporty forward motion from the slant. It suggests bold, fun display typography—assertive without feeling aggressive, and slightly retro in its chunky, softened geometry.

The design appears intended as a high-impact display sans that merges rounded-rectangle geometry with a consistent forward slant to create motion and emphasis. It prioritizes strong silhouettes, tight counters, and uniform stroke weight for bold readability in branding and promotional settings.

The design maintains a consistent geometric system across uppercase, lowercase, and figures, with a notably compact feel and strong emphasis on silhouette over internal detail. The dot on the lowercase i/j is round and prominent, reinforcing the playful, graphic character. Spacing in the samples appears tight and cohesive, supporting dense headlines and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸