Sans Superellipse Nulaz 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hyper Fatos' by Bisou, 'Mako' by Deltatype, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, display ui, sporty, punchy, playful, retro, assertive, impact, speed, approachability, bold branding, rounded, blocky, squat, compact, slanted.
A heavy, rounded sans with a consistent rightward slant and softly squared corners throughout. Strokes are thick and even, with minimal modulation, producing sturdy, compact letterforms and tight internal counters. Curves and terminals resolve into superellipse-like shapes, giving the alphabet a pillowy, molded feel, while diagonals and joins stay blunt and simplified for maximum solidity. Numerals and uppercase share the same squat, forward-leaning rhythm, and the lowercase remains bold and compact with short extenders and rounded dots.
Best suited to display work where strong shapes and immediate presence are desired—headlines, posters, labels, and promotional graphics. It can also work for sports-leaning branding, energetic social media graphics, and bold UI moments such as hero banners or navigational accents, especially when set at larger sizes.
The overall tone is energetic and assertive, with a sporty, headline-forward personality. Its slanted stance and dense black shapes feel fast and loud, while the rounded geometry keeps it friendly rather than aggressive. The result reads as playful-retro and impact-driven, suitable for attention-grabbing messaging.
The font appears designed to deliver maximum impact with a fast, forward-leaning stance, using rounded-rectangle construction to keep the heavy weight approachable and cohesive. Its simplified, compact forms suggest an intention to stay highly legible at display sizes while projecting speed and confidence.
The design prioritizes mass and silhouette over fine detail: apertures are relatively closed, and many letters rely on chunky counters and short cut-ins for differentiation. The italic angle is pronounced enough to create momentum even in longer text, and the consistent rounding helps maintain a cohesive texture across mixed-case settings.