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Sans Superellipse Fegey 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'ApronNext' by Hurufatfont, 'Conthey' by ROHH, 'Core Mellow' by S-Core, 'Propane' by SparkyType, 'Getafe' by Trequartista Studio, and 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, industrial, confident, retro, impact, speed, modernity, compactness, display, rounded corners, compact, slanted, ink-trap like, oblique stress.


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A heavy, forward-leaning sans with rounded-rectangle construction and soft, superelliptical curves. Strokes are sturdy and mostly uniform, with tight apertures and compact counters that keep the texture dense. Terminals tend to be squared-off but heavily radiused, producing a streamlined, machined feel; several joins show subtle notch/ink-trap-like shaping that helps maintain clarity at tight internal corners. The overall rhythm is energetic and slightly condensed in impression, with uppercase forms standing tall and lowercase maintaining a clean, workmanlike silhouette.

Best suited to short-to-medium headline settings where a strong, kinetic voice is needed: posters, event graphics, brand marks and wordmarks, sports or motorsport-style identity, and bold packaging callouts. It can also work for UI labels or navigation in larger sizes when you want a compact, high-contrast-in-presence (not stroke contrast) typographic punch.

The font reads fast and assertive, combining a sporty slant with a sturdy, engineered smoothness. Its rounded corners keep the tone friendly, while the dense black shapes and compact openings add punch and urgency. The result feels at home in performance-oriented, urban, and slightly retro-futuristic contexts.

The design appears intended to deliver maximum impact with smooth, rounded geometry and a forward-leaning stance, balancing toughness with approachability. It emphasizes speed, solidity, and legibility under bold display conditions through compact counters, radiused corners, and controlled internal shaping.

Letterforms lean into squarish rounds rather than pure circles, and curves often transition into straight-ish sides, reinforcing the superelliptical geometry. The numeral set appears designed to match the same compact, high-impact color, and the overall spacing in text creates a strong, continuous headline texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸