Sans Superellipse Ferem 4 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Brohero' by Alit Design, 'Angela Love Sans' by Fargun Studio, 'Refinery' by Kimmy Design, 'Posterman' by Mans Greback, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'Denso' by Stefano Giliberti, and 'Buyan' by Yu Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, modern, assertive, industrial, impact, motion, space-saving, brand presence, legibility at display, condensed, oblique, blocky, rounded corners, squared curves.
A heavy, condensed oblique sans with compact proportions and strongly squared curves. Strokes are thick and uniform, with rounded-rectangle counters and softened corners that keep the forms from feeling sharp. The shapes lean consistently forward, and terminals are mostly blunt with occasional subtle shearing that reinforces the slanted rhythm. Numerals and capitals are tall and tightly fit, producing a dense, high-impact texture in lines of text.
Best suited to short, prominent text such as headlines, posters, sports and fitness branding, and bold packaging callouts. It can work in signage and UI labels when used at larger sizes where the condensed, heavy forms retain clarity, but it’s most effective when used for impact rather than extended reading.
The overall tone is fast, punchy, and performance-minded, with a contemporary industrial edge. Its forward slant and compressed stance suggest motion and urgency, making it feel confident and attention-seeking rather than quiet or refined.
Designed to deliver maximum visual impact in a tight horizontal footprint, pairing dense weight with softened, squared curves for a modern, engineered look. The consistent oblique stance appears intended to communicate speed and momentum while staying firmly within a clean sans structure.
Round characters (like O/C) read as superelliptical rather than truly circular, and bowls/counters stay fairly tight, which increases punch at display sizes. The lowercase maintains clear differentiation and a steady cadence, while the italic angle stays consistent across letters and numerals for a cohesive, headline-driven voice.