Outline Lymo 3 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, packaging, futuristic, architectural, technical, retro, geometric, sci-fi display, geometric system, schematic look, retro-tech feel, rectilinear, modular, outlined, angular, wireframe.
A rectilinear outline design built from uniform, monoline contours with consistent stroke behavior and squared terminals. Letterforms are largely constructed from straight segments and right angles, with occasional diagonals in characters like K, V, W, X, Y, and Z. Many glyphs incorporate interior bars and inset contours that create a segmented, wireframe feel, emphasizing an engineered, grid-based structure. Counters are open and airy due to the outline construction, and spacing feels measured and display-oriented, with wide set proportions and a steady baseline rhythm.
Best suited for display typography such as headlines, posters, logotypes, and brand marks where its outlined structure can read cleanly. It also fits signage, tech-themed packaging, title cards, and interface or HUD-inspired graphics, especially when used with generous sizing and spacing to preserve the interior detailing.
The overall tone is futuristic and technical, with a retro computer-terminal and blueprint sensibility. Its hollow, compartmentalized construction reads as schematic and mechanical rather than handwritten or organic, lending an austere, science-fiction flavor. The repeated interior struts and squared geometry also suggest an architectural, industrial mood.
The font appears intended to translate a rigid grid and wireframe logic into alphabetic forms, emphasizing engineered structure through outline strokes and internal bracing. Its stylization suggests a goal of delivering a distinctive, futuristic display voice with strong geometric consistency and a deliberately constructed feel.
The design prioritizes crisp geometry over calligraphic modulation, and the outline-only strokes make it most visually stable at larger sizes where the interior gaps remain clear. Some forms lean toward stylized, signage-like constructions (notably the segmented S and the squared curves), reinforcing a constructed, systematized aesthetic.