Sans Other Ohfa 10 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, titles, logos, branding, packaging, art deco, retro, display, geometric, playful, decorative impact, retro styling, signage feel, logo-ready, angular, chamfered, stencil-like, modular, high-contrast counters.
This typeface is built from heavy, monoline strokes with squared-off terminals and frequent chamfered or wedge-like cuts. Many forms feel modular and slightly stencil-like, with counters and apertures shaped as sharp polygons rather than smooth bowls. Curves are used sparingly and tend to be taut and controlled (notably in letters like C, G, O, and S), while verticals and horizontals dominate the structure. The overall rhythm is compact and blocky, with strong silhouettes and distinctive internal cut-ins that create a mechanical, constructed look.
Best suited for display settings such as posters, headlines, album or game titles, branding marks, and packaging where its angular geometry can be appreciated at larger sizes. It can also work for short subheads or punchy pull quotes, but its unconventional letterforms make it less ideal for long-form reading.
The font projects a retro-futurist, Art Deco-leaning mood—bold, theatrical, and a bit mischievous. Its sharp notches and geometric counters give it a crafted, emblematic character that reads as vintage signage or stylized title lettering rather than neutral text.
The design appears intended to deliver a strong, period-evocative display voice using a modular, geometric construction. By repeating chamfered cuts and polygonal counters, it aims for instant recognizability and a bold, emblem-like presence in contemporary and vintage-inspired layouts.
Distinctive cut-away shapes recur across capitals, lowercase, and numerals, creating a consistent visual signature. The uppercase has a strong poster presence, while the lowercase retains the same angular logic and feels intentionally stylized, which reduces conventional text familiarity in longer passages. Numerals follow the same blocky geometry, with simplified, sign-like constructions.