Sans Other Ohpo 1 is a very bold, normal width, monoline, upright, tall x-height font.
Keywords: posters, headlines, game ui, logotypes, packaging, techno, arcade, industrial, sci-fi, futuristic, display impact, digital feel, modular construction, branding, angular, geometric, rectilinear, square counters, stencil-like.
A heavy, rectilinear sans built from straight strokes and sharp corners, with an overall squarish skeleton and minimal curvature. Forms favor blocky geometry, stepped joins, and occasional diagonal cuts that act like chamfers, creating a slightly mechanical, constructed feel. Counters are mostly square or rectangular, and terminals are flat, with consistent stroke thickness and a tight, compact internal spacing that keeps shapes dense and high-contrast against the background. The lowercase maintains a strong, structured presence with simplified bowls and shoulders, while figures and capitals follow the same grid-like logic for a cohesive, modular rhythm.
Best suited for bold display typography such as posters, headlines, and title treatments where its blocky geometry can set a strong voice. It also fits tech- and game-adjacent contexts—UI labels, esports branding, and sci‑fi themed graphics—plus packaging or signage that benefits from an industrial, high-impact look.
The font projects a distinctly digital, game-like tone—confident, punchy, and engineered. Its angular construction and squared counters evoke arcade interfaces, industrial labeling, and sci‑fi UI styling, balancing retro tech nostalgia with a contemporary geometric edge.
The design intention appears to be a modular, screen-forward display sans that communicates a constructed, digital aesthetic. By relying on squared counters, flat terminals, and chamfered angles, it aims to deliver strong presence and immediate recognizability in short text and branding applications.
Distinctive cut-ins and notches appear in several glyphs, adding a subtle stencil/constructivist flavor without breaking overall solidity. The dense fill and squared apertures make the type feel most at home at display sizes, where the stepped details and internal shapes read clearly.