Sans Superellipse Emrag 5 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype (names referenced only for comparison).
Keywords: ui labels, headlines, branding, posters, infographics, modern, efficient, clean, technical, understated, space saving, modern italic, systematic tone, geometric softness, condensed, monoline, rounded corners, oblique stress, closed apertures.
A condensed, monoline sans with an italic slant and a tall, economical silhouette. Curves are built from softly squared, superellipse-like forms, giving round letters (C, O, Q, 0) a rounded-rectangle feel rather than pure circles. Terminals are mostly clean and blunt, with minimal modulation, while counters and apertures tend to be compact, emphasizing a tight, controlled rhythm. Numerals follow the same narrow proportions and smooth geometry, with simple, utilitarian construction and consistent stroke weight.
Works well for space-conscious settings such as interface labels, navigation, and compact headings where an italic voice is desired without added stroke contrast. The narrow proportions and steady rhythm also suit modern branding systems, posters, and infographics that need a clean, contemporary slant. In longer passages it reads as tight and efficient, best when set with comfortable line spacing.
The overall tone is contemporary and pragmatic, leaning toward a technical and UI-minded aesthetic rather than expressive or calligraphic. Its slant adds momentum and a sense of forward motion, while the rounded geometry keeps it approachable and non-aggressive. The result feels streamlined and functional, suitable for modern, system-like communication.
The design appears intended to provide a modern italic sans that remains crisp and systematic, combining condensed proportions with softly squared curves for a distinctive geometric signature. It prioritizes consistency and economy of space while retaining a friendly edge through rounded corners and smooth, uniform strokes.
The condensed set width and closed-in internal spaces make the type feel dense and efficient, especially in longer text. The italic angle is consistent across caps, lowercase, and figures, reinforcing a cohesive, directional texture. Rounded corners and squared curves are a defining signature, creating a distinctive “soft-rectilinear” impression in both display and text sizes.