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Sans Superellipse Gerov 9 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Newhouse DT' by DTP Types; 'Chandler Mountain' by Mega Type; and 'Balbek Pro', 'Balbek Pro Cut', and 'Bryson' by Valentino Vergan (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, short ui labels, sporty, assertive, urgent, loud, dynamic, space saving, high impact, speed, modernity, branding, condensed, slanted, blocky, rounded corners, compact.


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This is a compact, tightly spaced sans with a pronounced rightward slant and heavy, uniform stroke weight. Letterforms are built from rounded-rectangle geometry: curves read as squared-off ovals with softened corners, and counters tend to be small and sturdy. Terminals are mostly blunt and cut on angles, with occasional wedge-like joins that add speed and forward motion. The overall rhythm is dense and muscular, with short extenders, a high lowercase profile, and numerals that match the same compact, blocky construction.

Best suited to large-scale settings where impact and momentum matter: sports identities, event posters, bold advertising, and packaging. It can also work for short interface labels or badges when you want a strong, condensed voice, but it is less appropriate for long-form reading due to its dense color and tight interior spaces.

The tone is energetic and forceful, combining a fast italic posture with thick, compressed shapes that feel competitive and attention-grabbing. Its rounded-square curves keep it friendly enough to avoid harshness, but the overall impression is still punchy and high-impact.

The design appears intended to deliver maximum punch in minimal horizontal space, pairing a forward-leaning stance with rounded-rectangular forms for a modern, athletic feel. The consistent stroke weight and blunt terminals emphasize solidity and speed, making the font read clearly and decisively at display sizes.

Several glyphs show deliberate, graphic simplifications—tight counters and angular cuts—prioritizing a strong silhouette over delicate internal detail. The sample text suggests it performs best when given a bit of breathing room, as the dark color and compact widths can quickly build into a solid typographic block.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸