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Sans Superellipse Pinug 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Miura' by DSType and 'Fairweather' by Dharma Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, condensed, punchy, modern, assertive, industrial, space-saving, high impact, display clarity, modern utility, compact, high-contrast ink trap, rounded corners, rectangular, uniform strokes.


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A compact, tall display sans with tightly packed proportions and uniform stroke weight. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than purely circular forms. Terminals are mostly flat with subtly softened corners, and the overall texture reads as dense and columnar. Lowercase forms keep a straightforward, utilitarian construction with single-storey shapes where expected, while numerals and capitals maintain a consistent, engineered rhythm across the set.

Best suited to headlines and short, high-impact statements where condensed width and strong presence help conserve space while maximizing emphasis. It can work well for branding, packaging, labels, and signage that benefit from a sturdy, industrial-modern voice. For long passages, its dense texture is most comfortable when given generous leading and clear hierarchy.

The font conveys a strong, no-nonsense tone—compressed and forceful, with a contemporary industrial edge. Its rounded-rectilinear shapes add a hint of retro signage flavor while still feeling clean and modern. Overall it projects urgency and impact more than friendliness or delicacy.

The design appears intended to deliver maximum impact in a narrow footprint, using rounded-rectangular construction to keep forms crisp, consistent, and highly legible at display sizes. The overall goal seems to be a practical, attention-grabbing sans for contemporary graphic applications where space is tight and clarity is critical.

In text, the tight width and heavy color create a dark, continuous typographic band, making spacing and line breaks feel decisive. The rounded-rectangle logic stays consistent across letters and digits, helping the face feel cohesive even at large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸