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Inline Okty 3 is a light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, branding, art deco, glamorous, theatrical, ornamental, retro, deco revival, luxury display, ornamental contrast, architectural rhythm, monoline accents, geometric, hairline, stencil-like, display.


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A refined display face built from hairline outlines paired with bold vertical strokes that are carved by a narrow inline, creating a crisp two-tone rhythm. Round letters rely on clean circular arcs with a distinctive dark vertical segment on one side, while many straight letters emphasize tall, condensed stems and sharp joins. Diagonals are thin and precise, giving forms like V, W, X, and Z a sleek, angular snap. The overall construction feels geometric and carefully spaced, with consistent inline placement and a pronounced interplay between solid masses and delicate contour lines.

Best suited to headlines and short-form settings where its inline detailing can stay crisp—posters, event titles, packaging, boutique branding, and editorial display. It can also work for wordmarks and monograms when letterspacing is tuned to preserve the interior cuts and delicate outlines.

The font communicates an Art Deco sensibility: elegant, high-style, and slightly dramatic. Its contrasty black panels and fine outlines evoke vintage luxury—cocktail bars, theater marquees, and editorial fashion—while still reading as clean and modern in its restraint.

The design appears intended to reinterpret classic Deco display lettering through an inline-and-outline construction, using vertical black panels and hairline contours to deliver a luxurious, architectural rhythm. It prioritizes visual flair and silhouette over plain text economy, aiming for memorable titles and brand moments.

The strongest visual signatures are the one-sided dark vertical inserts in rounded capitals (such as C, G, O, Q) and the slender, outline-driven treatment of many lowercase forms. Numerals mix streamlined geometry with occasional swooping curves, reinforcing the period feel. Because the design relies on fine interior lines and tight counters, it benefits from generous sizing and careful background contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸