Sans Superellipse Jirub 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Double Back' by Comicraft, 'Aspire Narrow' by Grype, 'Home Room JNL' by Jeff Levine, 'Volcano' by Match & Kerosene, 'Beachwood' by Swell Type, and 'CFB1 American Patriot' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, techy, confident, compact, impact, ruggedness, modernity, signage, rounded corners, squared forms, blocky, sturdy, condensed feel.
A heavy, block-built sans with squared proportions softened by rounded corners. Curves resolve into rounded-rectangle bowls and counters, giving O/C/D-like shapes a superelliptical feel rather than geometric circles. Stroke terminals are mostly flat and decisively cut, with occasional angled joins that add a slightly engineered, stenciled edge to diagonals. The lowercase is sturdy and compact, with single-storey forms and tight apertures; counters remain relatively small but consistent, helping the design hold together at large sizes.
Best suited to headlines, titles, posters, and branding where strong mass and compact shapes create immediate impact. It also fits sports and tech-adjacent identities, packaging callouts, and signage that benefits from bold, squared letterforms with softened corners.
The tone is bold and utilitarian, leaning toward athletic and industrial signaling—more “equipment label” than “editorial text.” Its squared, softened geometry reads modern and technical, with an assertive, no-nonsense presence suited to high-impact messaging.
The design appears intended to deliver maximum punch and solidity while avoiding harshness through rounded-rectangle curvature. It emphasizes sturdy silhouettes, compact spacing tendencies, and a consistent squared geometry to project modern, industrial clarity in display settings.
Numerals are broad and stable with prominent right angles and rounded inner corners, matching the letterforms closely. The overall rhythm is chunky and uniform, with relatively tight internal space and clear silhouette-driven differentiation, especially in capitals.