Sans Superellipse Jibek 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Tradesman' by Grype, 'Herchey' by Ilham Herry, 'Block Capitals' by K-Type, 'Hemispheres' by Runsell Type, 'Tolyer' by Typesketchbook, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sports branding, packaging, industrial, techy, sporty, assertive, compact, impact, modern branding, signage, tech aesthetic, sports display, blocky, rounded corners, squarish, geometric, stencil-like joins.
This typeface uses chunky, squared-off letterforms built from rounded-rectangle geometry, producing a superellipse-like skeleton with softened corners. Strokes are heavy and largely uniform, with tight internal counters and flat, straight terminals that emphasize a constructed, modular feel. Curved letters such as C, G, O, and S read as squarish rounds with broad shoulders, while diagonals in A, K, V, W, X, and Y are sharply cut and keep a consistent thickness. Spacing appears relatively compact, and the overall rhythm favors dense, blocky silhouettes over open, airy forms.
Best suited for short, prominent text such as headlines, posters, product branding, labels, and packaging where strong presence is needed. It can also work for sports and tech-oriented identities, UI titles, and signage-style applications, especially at medium-to-large sizes where the tight counters and engineered details remain clear.
The overall tone is bold and utilitarian, with a contemporary, machine-made confidence. Its rounded-square construction gives it a friendly edge compared to hard-edged grotesques, but it still reads as tough, sporty, and tech-forward. The heavy color and compact shapes make it feel suited to attention-grabbing, impact-driven messaging.
The design appears intended to deliver maximum visual impact through dense, rounded-rectilinear forms and consistent stroke weight, balancing an industrial, fabricated look with softened corners for approachability. It prioritizes strong silhouettes and compact rhythm for branding and display typography.
A number of joins and notches (notably around S-like curves and some diagonals) create a subtly engineered, almost stencil-cut impression that adds texture at display sizes. Numerals follow the same squared-round logic, with the 0 and 8 particularly compact and sign-like in their counters.