Sans Other Inriw 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'Esenka' and 'FX Neofara' by Differentialtype, 'Bystone' by GraphTypika, and 'Lobby Card JNL' by Jeff Levine (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logotypes, apparel graphics, sporty, industrial, aggressive, tactical, retro, high impact, speed cue, stencil styling, branding, stencil-cut, slanted, condensed, blocky, angular.
This typeface uses compact, forward-slanted, all-caps-friendly forms built from heavy, geometric strokes. Many letters and numerals incorporate deliberate vertical cut-ins and internal notches that read like stencil breaks, creating split counters and segmented bowls. Terminals are mostly straight and blunt, with sharp diagonals and squared shoulders; curves are tightened into compact, squarish rounds. Spacing feels tight and efficient, and the overall rhythm is driven by repeated slashes and cut marks that keep the texture energetic even in longer lines.
Best suited to display roles where the cut-and-slashed detailing can read clearly: sports identities, event posters, motorsport or action-themed headlines, product badges, and bold logotypes. It also works well for apparel graphics and packaging that benefits from a rugged, engineered feel.
The segmented construction and strong slant give it a fast, forceful tone with a utilitarian edge. It evokes athletic branding, motorsport or military/industrial labeling—bold, assertive, and attention-grabbing rather than delicate or neutral.
The design appears intended to deliver maximum impact through a condensed, forward-leaning silhouette and a distinctive stencil-cut motif. The consistent segmentation across the character set suggests a focus on creating a recognizable, high-energy voice for branding and short-form messaging.
The stencil-like interruptions are prominent enough to become a defining texture, especially in letters with bowls (B, D, O, P, Q) and in numerals. This gives strong display impact but can reduce clarity at small sizes or in dense paragraphs, where the interior cuts may visually merge.