Sans Superellipse Almah 2 is a very light, normal width, monoline, upright, tall x-height font.
Keywords: ui labels, signage, dashboards, tech branding, data display, futuristic, technical, minimal, clean, sleek, systematize, modernize, simplify, tech tone, geometric cohesion, rounded corners, squared curves, geometric, open apertures, straight terminals.
A minimalist geometric sans built from straight strokes and softly squared curves, with rounded-rectangle counters and corners that read as superelliptical rather than purely circular. Curves transition into flats with crisp geometry, giving bowls and shoulders a boxy, controlled feel while keeping edges smooth. Terminals are mostly straight and unflared, and the overall rhythm is even and modular, producing a tidy, engineered texture in lines of text. Numerals follow the same rounded-rect geometry, with clear, open forms and consistent stroke behavior.
This font suits interface typography, product labeling, wayfinding, and other contexts where a clean, geometric voice supports clarity. Its modular forms also work well for technology-leaning identities, diagrams, and concise display settings where the rounded-square aesthetic can carry the visual theme.
The tone is modern and tech-forward, with an instrument-panel clarity that feels precise and systematic. Its softened corners keep it approachable, but the squared curves and strict geometry maintain a distinctly futuristic, utilitarian character.
The likely intention is to translate a rounded-rect, industrial geometry into a readable sans that feels contemporary and systematized. It aims for a consistent, engineered appearance across letters and numerals, emphasizing cleanliness, precision, and a distinctive rounded-square motif.
The design’s identity comes from its rounded-square construction: letters like O/Q and many lowercase bowls appear more like softened rectangles than ovals, which creates a distinctive grid-like harmony in mixed-case text. The overall impression is calm and controlled, favoring clarity over expressiveness.