Sans Superellipse Idnup 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Barion' by Drizy Font, 'FTY Overkill Condensed' by Fontry West, 'Jetlab' by Swell Type, 'FTY Konkrete' by The Fontry, and 'Pricedown' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, packaging, industrial, sporty, retro, game-like, assertive, high impact, display focus, modular styling, brand presence, retro feel, blocky, rounded corners, squared curves, compact counters, stencil-like.
A heavy, block-constructed sans with rounded-rectangle geometry and consistently softened corners. Strokes are monolinear and dense, with compact internal counters and frequent right-angled notches that create a slightly modular, almost cut-out feel. Curves resolve as squarish rounds (superellipse-like), giving bowls and terminals a chunky, engineered rhythm. The lowercase is sturdy and simplified, with a single-story “a” and “g,” a short-armed “r,” and numerals that echo the same squared, robust construction.
Best suited for display roles such as headlines, posters, event graphics, and sports or fitness branding where strong silhouette recognition matters. It can also work well in game interfaces, badges, and packaging labels that benefit from an assertive, compact, industrial look.
The overall tone is bold and utilitarian, reading as sporty and industrial with a retro arcade/poster energy. Its notched details add a subtle mechanical grit, while the rounded corners keep the voice friendly enough for playful, high-impact messaging.
The design appears intended to maximize impact through dense, monolinear blocks and squared-round forms, while adding personality via small cut-in notches and simplified letter structures. The result is a distinctive display sans that balances mechanical firmness with rounded, approachable geometry.
In text, the weight and tight counters make it most comfortable at larger sizes where the internal spaces stay open and the notched joins remain clear. The punctuation and figures follow the same chunky, squared logic, supporting a cohesive display system.