Sans Superellipse Gylun 8 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Protrakt Variable' by Arkitype, 'B52' by Komet & Flicker, 'Camore' by Maulana Creative, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Kimberley' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, posters, ui display, packaging, tech, futuristic, industrial, confident, clean, modernize, signal technology, maximize impact, systematic geometry, squared-round, geometric, compact, high-contrast shapes, rounded corners.
This typeface is a sturdy, geometric sans built from squared-round (superellipse-like) forms with consistently rounded corners and largely uniform stroke weight. Counters tend toward rounded-rectangular shapes, and curves resolve into soft, controlled radii rather than true circles, giving the design a machined, modular feel. The x-height is notably tall and the lowercase is compact, with simple, efficient terminals and minimal stroke modulation. Overall spacing and rhythm read tight and purposeful, with blocky silhouettes that stay crisp at display sizes.
It performs best in headlines, logos, labels, and short blocks of text where its compact, geometric shapes can create a strong visual signature. The design also suits UI display contexts, product branding, and tech-oriented graphics that benefit from a crisp, engineered look.
The overall tone is contemporary and technical, with a confident, utilitarian voice. Its softened rectangular geometry feels modern and engineered—more sci‑fi interface than humanist text—while still reading friendly due to the rounded corners and open forms.
The design appears intended to deliver a modern, device-like aesthetic using rounded-rectangle geometry and a tall lowercase structure, prioritizing impact and clarity over calligraphic nuance. It aims for a consistent, modular system that stays visually solid across letters and numerals in prominent sizes.
Distinctive superellipse construction is most apparent in rounded letters like O, Q, C, G and in the numeral set, where corners are rounded but sides remain flatter than a purely circular design. The punctuation shown (period, apostrophe) is straightforward and squarely proportioned, matching the font’s pragmatic, display-forward personality.