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Free for Commercial Use

Calligraphic Bipa 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Knicknack' by Great Scott, 'Beefcakes' by Monotype, and 'Morl' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids branding, cafe9 signage, playful, chunky, friendly, retro, bouncy, display impact, friendly tone, handmade charm, retro flavor, playful branding, rounded, soft, blobby, bulbous, poster-like.


Free for commercial use
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A heavy, rounded display face with softly inflated strokes and subtly uneven terminals that create a hand-drawn, brushy silhouette. Letterforms are compact and sturdy with generous counters, a tall lowercase presence, and minimal contrast, giving the shapes a solid, inked-in feel. Curves dominate construction, with occasional wedge-like entry/exit strokes and mild irregularity that adds rhythm without becoming messy. Overall spacing feels open and readable for a very heavy style, while the outlines retain a slightly organic, cut-paper quality.

Best suited for short-to-medium display text where personality is the priority: posters, headlines, playful branding, packaging, and signage. It can also work for titles in childrene28099s materials, retro-themed compositions, and social graphics where a soft, friendly presence is desired.

The tone is warm and upbeat, leaning whimsical and retro. Its buoyant curves and cushy weight make it feel approachable and fun, with a hint of vintage signage and storybook charm. The slight hand-made wobble keeps the voice informal and lively rather than strictly geometric.

The design appears intended to deliver a bold, hand-crafted display voice that stays legible while adding charm through rounded, slightly irregular brush-like forms. It emphasizes friendliness and visual impact, evoking vintage and playful contexts without relying on connected script behavior.

Round characters (O, o, 0) are notably soft and pillow-like, and joins in letters like m/n/u feel brush-influenced rather than mechanical. Numerals match the same inflated styling and remain clear at display sizes, with friendly, rounded shapes that prioritize character over strict uniformity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸