Sans Other Jisy 7 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, ui labels, game titles, tech branding, futuristic, techy, geometric, arcade, industrial, tech aesthetic, systematic geometry, high impact, digital signage, sci‑fi tone, squared, angular, corner-cut, stencil-like, modular.
A squared, modular sans built from uniform stroke widths and hard right angles, with frequent corner cuts that create small diagonal facets at joints and terminals. Counters are boxy and open, and many glyphs use segmented, frame-like construction (notably in rounded forms) rather than smooth curves, producing a crisp, pixel-adjacent rhythm without being strictly grid-pixel. The overall silhouette reads wide and assertive, with flat horizontal terminals, tight interior spacing in some letters, and a consistent, engineered geometry across caps, lowercase, and figures.
Best suited to display roles such as headlines, posters, game titles, and tech-oriented branding where its angular geometry can carry the visual identity. It can also work for short UI labels, dashboards, or packaging callouts when set with ample size and spacing to preserve the internal cut details.
The design projects a futuristic, technical tone with strong associations to digital interfaces, sci‑fi titling, and arcade-era display typography. Its sharp corners and mechanical segmentation feel utilitarian and synthetic, emphasizing precision and systematized structure over warmth or calligraphic nuance.
The font appears designed to deliver a clean, engineered look through a limited set of straight strokes and corner facets, prioritizing a cohesive modular system and high-impact silhouettes. The construction suggests an intent to evoke digital hardware and futuristic environments while staying systematic enough for repeated use across alphanumerics.
Legibility is strongest at medium to large sizes where the corner facets and segmented counters remain distinct; at smaller sizes the tight interior cuts and boxy apertures can visually fill in. The numerals and uppercase forms present particularly strong signage-like silhouettes, while the lowercase keeps the same modular logic, reinforcing a consistent, constructed voice in text.