Print Tigiw 17 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'TA Modern Times' by Tural Alisoy (names referenced only for comparison).
Keywords: headlines, posters, packaging, children’s, greeting cards, friendly, folksy, retro, playful, approachable, handmade feel, friendly display, retro charm, casual branding, rounded, soft terminals, inked, bouncy, quirky.
A rounded, hand-drawn print style with sturdy strokes and softened corners that create a gently irregular rhythm. The letterforms show subtle wobble and humanized proportions, with occasional swelling at curves and tapered joins that mimic an inked marker or brush. Counters are generally open and clear, while widths vary noticeably across characters, giving the set a lively, non-mechanical texture. Numerals and capitals carry the same softened, slightly condensed feel, maintaining a consistent, handmade silhouette across the set.
This font is well suited to short-to-medium display text such as headlines, posters, packaging callouts, and brand accents that want a handmade feel. It can also work for children’s and family-oriented materials, invitations, and greeting cards where warmth and informality are desirable. For best results, give it comfortable tracking and avoid extremely small sizes where the irregularities may crowd together.
The font reads warm and personable, with a nostalgic, storybook-like charm. Its slightly quirky shapes and rounded terminals keep the tone casual and inviting rather than formal or technical. Overall it conveys a handcrafted, friendly voice suited to cheerful messaging.
The design appears intended to deliver a bold, hand-printed look that feels authentic and human while staying legible in prominent settings. Its softened geometry and variable character widths suggest a focus on personality and charm over strict typographic uniformity.
The design balances consistency with intentional imperfections: repeated shapes feel related, but not rigidly standardized. The sample text shows good presence at display sizes, where the rounded forms and variable widths become part of the character rather than a distraction.