Sans Normal Myray 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Pelita' by Lafontype, 'Neue Frutiger Paneuropean' by Linotype, 'Belle Sans' by Park Street Studio, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, confident, friendly, punchy, modern, playful, impact, clarity, modernity, approachability, geometric, rounded, blocky, compact, high-impact.
A heavy, geometric sans with broad proportions and compact counters that create dense, high-impact word shapes. Curves are built from smooth circular forms (notably in C, O, G, and the bowls of B and P), while terminals and joins stay clean and blunt without decorative details. Stroke endings are crisp and squared-off, and the overall construction favors simple, sturdy geometry with minimal modulation. Lowercase forms are straightforward and robust, with a single-storey a and g and a round i dot that reinforces the geometric rhythm; numerals follow the same solid, headline-oriented construction.
Best suited to large-scale display settings such as headlines, posters, packaging, and brand marks where maximum impact and quick recognition are needed. It can also work for short UI labels or signage when clarity at a glance is prioritized over long-form reading comfort.
The tone is direct and assertive, with a friendly, approachable warmth coming from the rounded geometry and open, simple letterforms. Its weight and width give it a loud, attention-grabbing voice suited to energetic messaging, while the clean shapes keep it contemporary and uncluttered.
The design appears intended to deliver a strong, contemporary display sans that stays highly legible while projecting confidence and energy. By relying on simple geometric construction and blunt terminals, it aims for a versatile, modern presence that remains friendly rather than technical.
Spacing and internal counters are intentionally tight, so text blocks appear bold and compact, especially in longer lines. The design reads best when given enough size and breathing room, where its smooth curves and sturdy silhouettes stay clear.