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Sans Other Amluf 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Skate' by DearType, 'Astern Shade' and 'Fendesert' by Edignwn Type, 'ITC Machine' by ITC, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, apparel, playful, bold, retro, quirky, friendly, attention, branding, approachability, retro flavor, handmade feel, chunky, compact, rounded, wavy, irregular.


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This is a heavy, compact sans with chunky strokes, rounded corners, and subtly uneven contours that create a gently wavy silhouette. Terminals are mostly blunt and softened rather than sharply cut, and counters tend to be small and tightly enclosed, giving the face a dense, poster-like color. Proportions vary from glyph to glyph in a deliberately inconsistent way, with slight bulges and tapering that read as hand-shaped rather than mechanically uniform. The lowercase is simple and sturdy, with single-storey forms where applicable and minimal interior detailing for maximum impact at large sizes.

Best suited for display settings where bold shapes and compact width help fit more characters into limited space—posters, headlines, badges, packaging, and logo wordmarks. It can also work for short, high-impact UI labels or social graphics, but it’s most effective when given room to breathe and set at larger sizes.

The overall tone is upbeat and characterful, pairing strong visual presence with a casual, human touch. Its mild irregularity and softened geometry suggest a retro display sensibility—confident and attention-grabbing without feeling aggressive. The font reads as approachable and fun, suited to energetic, informal messaging.

The font appears designed to deliver maximum visual punch with a friendly, slightly handmade personality. Its dense color, softened corners, and gentle irregularity prioritize character and memorability over neutrality, aiming for standout branding and attention-oriented display typography.

The design’s tight counters and heavy joins can cause interior spaces to fill in at smaller sizes, while the slight per-glyph irregularity adds texture that becomes more apparent in longer text. Rounded punctuation and the strong, uniform stroke mass help maintain a consistent rhythm across headlines and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸