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Sans Faceted Abmip 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Empera' by BoxTube Labs, 'King Wood' by Canada Type, 'Magnitudes' by DuoType, 'Evanston Tavern' by Kimmy Design, 'Chandler Mountain' by Mega Type, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, industrial, sporty, tactical, authoritative, techno, impact, ruggedness, mechanical feel, display clarity, brand presence, angular, chamfered, blocky, compact, stencil-like.


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A compact, all-caps-forward sans with sharply chamfered corners and planar cuts that replace most curves. Strokes are consistently heavy and geometric, with squared counters and clipped terminals that create a faceted, machined silhouette. The lowercase follows the same block construction with a tall, sturdy x-height and simplified bowls; joins tend to be angular rather than rounded. Widths feel slightly uneven across the set—some letters read more condensed than others—adding a rugged rhythm while maintaining a disciplined vertical stance.

Best suited to headlines, posters, and short statements where the faceted geometry can read as a graphic motif. It also fits logos, sports/event branding, apparel graphics, packaging, and signage that benefits from a bold, industrial voice. For longer text, it works most reliably in small doses (labels, callouts, or UI headers) with comfortable spacing.

The overall tone is tough and utilitarian, evoking stamped metal, equipment labeling, and competitive athletics. Its faceting gives it a tactical, engineered feel—confident, assertive, and purpose-built rather than friendly or literary.

The design appears intended to deliver maximum impact through a condensed, heavy build while adding character via crisp chamfers and straight-sided counters. The faceted treatment suggests a deliberate reference to mechanical fabrication—like cut, milled, or stamped forms—optimized for attention-grabbing display use.

The strong corner chamfers and rectangular counters make the design especially high-impact at large sizes, where the cut planes become a defining texture. In dense settings, the tight interior spaces and square apertures can start to darken, so generous tracking or bigger sizes help preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸