Hollow Other Tiza 6 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Harman' by Ahmet Altun, 'Chamelton' by Alex Khoroshok, 'Potomac' by Context, 'Grupi Sans' by Dikas Studio, 'Ramenson' by Larin Type Co, and 'Signal' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, stickers, playful, retro, crafty, quirky, friendly, add texture, evoke print, create impact, feel handmade, rounded, chunky, stenciled, distressed, inked.
A heavy, rounded sans with compact, chunky forms and softened corners throughout. Strokes are thick and simplified, with geometric bowls and short, sturdy terminals; the lowercase keeps a straightforward, single-storey feel in a and g, and overall letterforms remain upright and highly legible at display sizes. The defining feature is a network of irregular interior knockouts and speckled voids that break up the black shapes, creating a hollowed, textured fill rather than clean counters alone. Spacing reads moderately open for such dense letters, and the rhythm stays consistent across caps, lowercase, and numerals, with a slightly handmade irregularity in the internal cutouts.
Best suited to display typography such as posters, event graphics, packaging, and brand marks that benefit from a bold, textured voice. It also works well for playful signage, labels, and social graphics where the hollowed texture can read as a deliberate printed effect.
The texture and bubbly proportions give the font a lighthearted, upbeat tone with a vintage craft sensibility. The hollowed speckling suggests screen print, stamped ink, or weathered signage, adding energy and informality without becoming chaotic.
The design appears intended to combine a friendly, rounded display sans with a distinctive hollowed/knockout texture, evoking printed or stamped imperfection. The goal seems to be instant visual personality and tactile presence while keeping letterforms simple and readable.
The internal cutouts vary from glyph to glyph, producing a lively, mottled color on the page; this effect is most noticeable in large headings and can visually soften long passages. Numerals match the letter style closely, with rounded silhouettes and the same hollowed texture for cohesive titling and labeling.